Syncopation, Body-Movement and Pleasure in Groove Music

PLoS ONE 9(4): e94446
doi:10.1371/journal.pone.0094446
Published: April 16, 2014

Maria A. G. Witek [1], Eric F. Clarke [1], Mikkel Wallentin [2,3], Morten L. Kringelbach [2,4], Peter Vuust [2,5]

[1] Faculty of Music, University of Oxford, Oxford, United Kingdom
[2] Center of Functionally Integrative Neuroscience, Aarhus University Hospital, Aarhus, Denmark
[3] Center for Semiotics, University of Aarhus, Aarhus, Denmark
[4] Department of Psychiatry, Warneford Hospital, University of Oxford, Oxford, United Kingdom
[5] The Royal Academy of Music, Aarhus/Aalborg, Denmark

Abstract

Moving to music is an essential human pleasure particularly related to musical groove. Structurally, music associated with groove is often characterised by rhythmic complexity in the form of syncopation, frequently observed in musical styles such as funk, hip-hop and electronic dance music. Structural complexity has been related to positive affect in music more broadly, but the function of syncopation in eliciting pleasure and body-movement in groove is unknown.

Here we report results from a web-based survey which investigated the relationship between syncopation and ratings of wanting to move and experienced pleasure. Participants heard funk drum-breaks with varying degrees of syncopation and audio entropy, and rated the extent to which the drum-breaks made them want to move and how much pleasure they experienced.

While entropy was found to be a poor predictor of wanting to move and pleasure, the results showed that medium degrees of syncopation elicited the most desire to move and the most pleasure, particularly for participants who enjoy dancing to music. Hence, there is an inverted U-shaped relationship between syncopation, body-movement and pleasure, and syncopation seems to be an important structural factor in embodied and affective responses to groove.

Copyright: © 2014 Witek et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0094446

Effects of cocaine on honey bee dance behaviour

J Exp Biol
Jan 15, 2009; 212(2): 163–168
doi:  10.1242/jeb.025361

Andrew B. Barron [1,2,*], Ryszard Maleszka [1], Paul G. Helliwell [1] and Gene E. Robinson [2]

[1] ARC Centre for Molecular Genetics of Development, Research School of Biological Sciences, Australian National University, Canberra, ACT 2601, Australia
[2] Department of Entomology and Neuroscience Program, University of Illinois at Urbana-Champaign, 505 S. Goodwin Avenue, Urbana, IL 61801, USA

* Author for correspondence at present address: Centre for the Integrative Study of Animal Behaviour, Macquarie University, Sydney NSW 2109, Australia

Summary

The role of cocaine as an addictive drug of abuse in human society is hard to reconcile with its ecological role as a natural insecticide and plant-protective compound, preventing herbivory of coca plants (Erythroxylum spp.). This paradox is often explained by proposing a fundamental difference in mammalian and invertebrate responses to cocaine, but here we show effects of cocaine on honey bees (Apis mellifera L.) that parallel human responses. Forager honey bees perform symbolic dances to advertise the location and value of floral resources to their nest mates. Treatment with a low dose of cocaine increased the likelihood and rate of bees dancing after foraging but did not otherwise increase locomotor activity. This is consistent with cocaine causing forager bees to overestimate the value of the floral resources they collected. Further, cessation of chronic cocaine treatment caused a withdrawal-like response. These similarities likely occur because in both insects and mammals the biogenic amine neuromodulator systems disrupted by cocaine perform similar roles as modulators of reward and motor systems. Given these analogous responses to cocaine in insects and mammals, we propose an alternative solution to the paradox of cocaine reinforcement. Ecologically, cocaine is an effective plant defence compound via disruption of herbivore motor control but, because the neurochemical systems targeted by cocaine also modulate reward processing, the reinforcing properties of cocaine occur as a `side effect'.

http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2720998/

Head and neck injury risks in heavy metal: head bangers stuck between rock and a hard bass

BMJ. 2008; 337: a2825
Published online Dec 17, 2008
doi:  10.1136/bmj.a2825

Declan Patton, research assistant
Andrew McIntosh, associate professor

School of Risk and Safety Sciences, University of New South Wales, Sydney, Australia 2052

Objective To investigate the risks of mild traumatic brain injury and neck injury associated with head banging, a popular dance form accompanying heavy metal music.

Design

Observational studies, focus group, and biomechanical analysis.

Participants

Head bangers.

Main outcome measures

Head Injury Criterion and Neck Injury Criterion were derived for head banging styles and both popular heavy metal songs and easy listening music controls.

Results

An average head banging song has a tempo of about 146 beats per minute, which is predicted to cause mild head injury when the range of motion is greater than 75°. At higher tempos and greater ranges of motion there is a risk of neck injury.

Conclusion

To minimise the risk of head and neck injury, head bangers should decrease their range of head and neck motion, head bang to slower tempo songs by replacing heavy metal with adult oriented rock, only head bang to every second beat, or use personal protective equipment.

http://www.bmj.com/content/337/bmj.a2825?view=long&pmid=19091761

Ovulatory cycle effects on tip earnings by lap dancers: economic evidence for human estrus?

Evolution and Human Behavior
Volume 28, Issue 6, November 2007, Pages 375–381

Geoffrey Miller, Joshua M. Tybur, Brent D. Jordan

Department of Psychology, University of New Mexico, Albuquerque, NM 87131, USA

Abstract

To see whether estrus was really “lost” during human evolution (as researchers often claim), we examined ovulatory cycle effects on tip earnings by professional lap dancers working in gentlemen's clubs. Eighteen dancers recorded their menstrual periods, work shifts, and tip earnings for 60 days on a study web site. A mixed-model analysis of 296 work shifts (representing about 5300 lap dances) showed an interaction between cycle phase and hormonal contraception use. Normally cycling participants earned about US$335 per 5-h shift during estrus, US$260 per shift during the luteal phase, and US$185 per shift during menstruation. By contrast, participants using contraceptive pills showed no estrous earnings peak. These results constitute the first direct economic evidence for the existence and importance of estrus in contemporary human females, in a real-world work setting. These results have clear implications for human evolution, sexuality, and economics.

Keywords

Estrus; Female sexuality; Behavioral economics; Sexual service industries; Hormonal contraception

http://www.sciencedirect.com/science/article/pii/S1090513807000694

Coordination modes in the multisegmental dynamics of hula hooping

Biological Cybernetics
March 2004, Volume 90, Issue 3, pp 176-190
Cover Date 2004-03-01
DOI 10.1007/s00422-003-0460-4

Ramesh Balasubramaniam (1,2), M.T. Turvey (2,3)

1) Sensory Motor Neuroscience Group, Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham, Edgbaston, B15 2TT, UK
2) Center for the Ecological Study of Perception and Action, U-20 University of Connecticut, 406 Babbidge Road, Storrs, CT 06269, USA
3) Haskins Laboratories, 270 Crown Street, New Haven, CT 06511, USA

Abstract

In hula hooping, organized motions of the body keep the hoop in stable oscillatory motion parallel to the ground. We examined the hypothesis that the multiple degrees of freedom (DF) of the lower limbs in producing the oscillations are resolved into a few control DF. The Karhunen-Loève decomposition was applied to the kinematics of the lower limbs in three experiments in which oscillation amplitude and frequency were manipulated. Kinematic variance was accommodated by two modes whose relative contributions varied with task parameters. Complementary analyses of interjoint Hilbert relative phase suggested a lower-limb organization into a vertical suspension mode and an oscillatory fore-aft mode. These modes might stabilize the hoop’s angular momentum by controlling, respectively, its vertical and horizontal components.

http://link.springer.com/article/10.1007%2Fs00422-003-0460-4